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Jordan Town is a 50-minute multi-media theatre experience that combines music, contemporary dance and film. The project was initiated by composer/musician Errollyn Wallen as a vehicle for exploring the theme of traveling, within a landscape of song and across media. Desiring to work with highly responsive artists, who possess strong musical instincts, Wallen chose to form a new company, whose members may change from project to project, but who will all be committed to carrying out the brief of making music-led, innovative and emotionally intelligent, cross-media work. For Jordan Town, Wallen collaborated with choreographer/dancer Tom Sapsford of the Royal Ballet and the film-making duo, The Honey Brothers (Mark and Daniel Goddard) and to perform with her own Ensemble X string quartet. Jordan Town is the debut work of the Errollyn Wallen Company.
Music and film are constant throughout Jordan Town with dance and music weaving in and out, from screen to live performance. Wallen's songs, with their rich, allusive texts are taken as a point of departure, never merely to be illustrated. A haunting world is created that celebrates the far reaches of the imagination through sight and sound.
The strength and lyricism of the choreography hints of Tom Sapsford's classical training but is decidedly contemporary with its sharp, asymmetric movement vocabulary and intense energy. Sapsford performs solo and with a projected image of himself in a surreal duet. Previous collaborations with Wallen have included a short ballet and performances in clubs and theatres, but this is the first time they have performed together on a full-length piece...
Jordan Town is a modern day song cycle, drawing on the traditions of lieder and also from jazz and pop styles. All the songs are original apart from When I Am Laid in Earth (Dido's Lament) from Purcell's Dido and Aeneas. The songs' pared-down quality provide an immediacy and power of expression. The combination of voice, piano and strings was decided on collectively by the company for the many possibilities for contrast within modest forces.
The aural experience is enhanced by the film's sound track which includes the sounds of slowed speech, traffic noises, a camera shutter and the string quartet. Like Tom's surreal duet with himself, in the song, the string quartet 'ghosts' itself in Wallen's radical arrangement of the Purcell aria. The Honey Brothers also contributed significantly to the dance through the use of digital technology. Sapford's recorded movements are manipulated to create a whole new choreographic language on screen. In many places the film images are minimal and stark, using intense colour to provide the backdrop.
Jordan Town was created in 2001 and premiered at the Edinburgh Festival Fringe to rapturous acclaim from audiences and critics alike. It received several 4 and 5 star reviews.
The extended run at the festival enabled the performers to grow into the material - discovering new points of connection between the performers and the media. Emerging from that experience was the desire to further develop the overlapping sections and transitions between the elements and to develop aspects of the staging.
A woman sits at the piano and sings against a huge screen of dream images. A string quartet walks and plays with shadows. A dancer performs a duet with the ghost of himself. Glorious music and song fuse with dance and film on a haunting and mesmerising journey into the far reaches of the imagination....
Jordan Town is Errollyn Wallen's modern day song cycle which draws on the traditions of lieder, jazz and pop and includes a radical arrangement of Dido's Lament from Purcell's Dido and Aeneas. The rich and unique array of original songs, all with texts by Errollyn Wallen, are performed by her at the piano and by the string quartet from Ensemble X led by David Le Page.
Tom Sapsford dances a surreal duet with his projected self weaving from stage to film with intense energy. His choreography combines the lyricism of his classical training with the asymmetric vocabulary of contemporary techniques.
The film by the honey brothers uses digital technology to create stark images of stunning colour and to provide a hypnotic presence and pathway to the subconscious.
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|ERROLLYN WALLEN IS FRIDAY AFTERNOONS COMPOSER 2018||MIGHTY RIVER I Orchestra X I BBC radio broadcast||CONCERTO GROSSO at Teatro Real Madrid with Chineke!|
|Snape Maltings is delighted to announce that Errollyn Wallen is the composer of 12 new songs for the project in 2018, inspired by her travels around the world.
During her second residency at Snape Maltings in January, the composer worked with young people from the nearby Leiston Primary School, developing her new compositions. On the final day Errollyn and the students visited The Red House, Britten’s home in Aldeburgh, to share snippets of her new works with a small audience.
The new set of songs entitled 'MAP: Songs for Children Everywhere' will be available to download from the Song Bank in April, and will be premiered at the Albermarle Centre, Hull on May 11th. In partnership with Hull Music Hub, the premiere choir will include young people from The City of Hull Junior Choir, Hull Choral Union Junior Chorus and students from Hull Primary and Secondary Schools.
|Exploring themes of slavery and freedom, Mighty River combines contemporary classical techniques with spirituals which were introduced to Hull in 1871 by the Fisk Jubilee Singers, an African-American a cappella choir of ex-slaves. The piece, written for orchestra, takes its inspiration from William Wilberforce the English politician, philanthropist and leader of the movement to abolish the slave trade who was, very fittingly, a native of Hull. Part of PRSF New Music Biennal 2017. Listen to the live broadcast from Hull:||Errollyn Wallen's brilliant CONCERTO GROSSO (commissioned by Orchestra of the Swan and published by Peters Edition) will be performed by Chineke! at Teatro Real in Madrid on April 14th with Errollyn performing the solo piano part. The work also features Chi-chi Nwanoku on double bass and Tai Murray, violin.
The performance will be part of the World Opera Forum
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