|Errollyn Wallen’s piano quintet “Music for Tigers” (2006) is as picturesque as Mr. Snow’s work, if not as overtly comic. But Ms. Wallen’s vital rhythms and inventive melodies keep her work lively, and the players — Alicia Choi and Heidi Schaul-Yoder, violinists; Eva Gerard, violist; Mimi Yu, cellist; and Hsiang John Tu, pianist — gave her work, like the others, a firm, warm-spirited and finely polished performance.
Article by Allan Kozinn
NY Times 26/07/2010
What got you started?
Coming out of hospital after an operation when I was five to find a piano in the living room. My parents had to beg me to stop practising.
What was your big breakthrough?
Forming Ensemble X in 1990 to perform my music. I wanted to give concerts I would like to go to myself. At our first concert, we handed out Mars bars.
What's the biggest myth about composing?
That it's a rarefied activity carried out by dead white men in wigs.
What song would feature on the soundtrack to your life?
Dido's Lament from Purcell's Dido and Aeneas. There's something transcendent about it.
Do you suffer for your art?
Sometimes. While I was writing the oratorio Carbon-12 for Welsh National Opera earlier this year, I told myself I could eat as much as I liked as long as I kept going: I gained 10lbs.
What's your favourite film?
Andrei Tarkovsky's Stalker. I first saw it as a student, and loved the fact I wasn't always sure what was going on.
In the movie of your life, who plays you?
Pam Grier. I'd like to be as sexy as her.
What's your favourite museum?
The Museo Nazionale Etrusco di Villa Giulia in Rome. There's an amazing Etruscan sarcophagus of a married couple, both wearing mysterious smiles.
What have you sacrificed for your art?
Complete this sentence: At heart I'm just a frustrated ...
Ballet dancer. When I was 12 I wanted to go to ballet school, but my aunt and uncle said they wouldn't send me because they'd never seen a black ballet dancer before. It was terribly painful.
What's the greatest threat to music?
The lack of silence. People seem frightened of silence, yet you have to revere it in order to really celebrate music.
What advice would you give a young composer?
Follow your ears.
What work of art would you most like to own?
Howard Hodgkin's painting Rain. It inspired the mix of one of my songs.
Is there anything about your career you regret?
Not playing the organ for Billy Smart's circus. They called me once about an advert I'd placed offering myself as a keyboard player. I told them I didn't play the organ; now I wish I'd given it a go. In short
Career: Has written songs, chamber music and operas, and released three solo albums. She performs songs from the Errollyn Wallen Songbook at Riverside Studios, London W6 (020-8237 1111) on Thursday.
High point: "Seeing a photograph of my album Errollyn floating in a shuttle in outer space. An astronaut friend had taken it with him."
Low point: "Getting accidentally locked in a basement practice room for 11 hours in 2000."
Interview by Laura Barnett
The Guardian 29/07/2008
|BLACK CANTABS: HISTORY MAKERS||Errollyn Wallen on In Tune November 14th||WORLD PREMIERE OF NNENNA BY CHINEKE!|
|Errollyn Wallen's photographic portrait is featured in a groundbreaking exhibition at Cambridge University Library. telling the stories of black students in Cambridge, from the forgotten pioneers of centuries past to the celebrated successes of today.
The exhibition runs to December 22nd.
|Errollyn will talk about the forthcoming performance of her MAP: Songs for Children Everywhere which will be performed at Snape Maltings on Friday November 16th.
The programme will be available on catch up after broadcast
|There are three performances of Errollyn Wallen's music on November 16th — in London, Suffolk and Cambridge. The Cambridge performance sees the world premiere NNENNA, a new work (septet) commissioned by Cambridge Music Festival with generous support by Russell Whitehead.|
|Find out more>||Find out more>||Find out more>|